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Miles Bould
Miles learned the clarinet at Gospel Oak Primary school in North London and also took private lessons with Aubrey Franks.
He was interested in the rhythmic elements of music he was listening to and learning, his parents had an eclectic record collection which broadly influenced his tastes. The albums of Frank Sinatra, Miles Davies, Weather Report, Gil Evans, The Beatles, Frank Zapper, Dizzy Gillespie and everything in between were all being played in his childhood home.

As he went through secondary school he went to various parties and jam sessions. He'd lost interest in formal music lessons, but had always enjoyed the more percussive elements of music. (Hated music class, became a drummer). He bought a set of bongos and sat in when could at the Jam sessions going on around North London.
The first band Miles was in was a reggae band formed by a few of his friends called Rukka. They got the occasional chance to rehearse at the house of band member Gil Cang who is still a mate and has become an excellent producer/songwriter.

Miles’ Dad, Peter Bould had a great love of Jazz and was friends with Tubby Hayes, Ronnie Scott and Pete King.
Ronnie Scotts, the club, was a regular haunt of Peter’s where he would be involved in some of the recording sessions. Over the years he became great friends with a few of the musicians who appeared there, one of whom was Dizzy Gillespie.

This friendship brought Dizzy’s attention to Miles’ interest in the congas, an instrument Dizzy was known to play.
Whilst Dizzy was doing a 2-week stint at Ronnies, Miles got a call to meet him at the club during sound-check for some mysterious reason, so Miles ventured curiously down to the club. They had a cup of coffee, then Dizzy said that he needed a favour from Miles. Eyes twinkling, he requested that Miles look after his congas for him when he was out of town. Then he gave Miles his one and only conga lesson after souncheck onstage at Ronnies. He watched the show that night and has owned the congas ever since..
With a set of congas in his possession, Miles played whenever he could. He listened endlessly to records by Dizzy, Art Blakey, Jaco Pastorius, Weather Report, Miles Davies, anything and everything that featured percussion.

His love of Funk and Dub records led him to join Sava Jazz. He had been recommended for a studio session with the band and was then asked to join. After many gigs and developing a small following, London records became interested in the band and offered finance to go into the studio. That never materialised, but through the band Miles met Spencer Cozens who became a close friend and musical co-writer.
This was also a time when Miles met and became great friends with Dominic Miller. He worked with him on Dominic’s own band IGUAZU with Scott Firth, Spencer Cozens, Dave Heath and Andy Baron, all who later became an important part of Miles’ own recordings.

Throughout this period, Miles gigged playing Latin-Jazz around town and was seen in a club by Robert Palmer who later booked him to do promo for his single (Tell me I’m not dreaming). This led to more promo work (video and radio) later on.
He also received a recommendation for an audition for Julia Fordham. He got the gig and worked on and off for both artists for the next few years.

As well as recording and gigging as much as he could fit in, Miles became part of John Martyn’s band. There were the usual promo and gigs, as well as some unique experiences gigging in lesser known places around Britain. He counts this period of working with John as some of the hardest work he has ever had to do, but also some of the most rewarding.
Miles and Spen were working together on a fusion project called Peoplespeak, which they were beginning to gig and record with at this time.

Miles then began to get a lot of calls for studio work. He recorded albums for John Martyn, Julia Fordham, Nigel Kennedy, Fisher Z, The Beloved, Ray Simpson, Daryl Hall, Joe Cocker, Eternal, Cher, The Lighthouse Family, Incognito, Level 42, and The Pasedenas.
When he went on the John Martyn Apprentice tour, he missed a tour with Julia Fordham where she met and hired Barry Kinder, a musician who Miles was to meet and later form a band with called Goosebump.
The recording then continued with Echobelly, Pauline Henry, Asia Blue, Sting, Maysa Leak, Suggs, Chris DeBurg, Mike Lindup, Gabrielle, Shara Nelson and Gota Yashiki where he met his wife Yolanda Charles.
He gigged with projects, Goosebump and Peoplespeak and formed a production team with Lee Groves called Cut the Rug.

Percussionist Danny Cummings and Miles jointly made a sample CD with AMG called Rhythm of Life. The samples have been used by Pat Metheny, George Michael, Brownstone, NYPD Blue and many, many others. This was followed by another 2 sample CDs, Audiovirus: Intravenous and The Progression.
He also appeared on several KPM library music CD’s.

The next few years saw Miles recording albums and gigging with: Sonique, Valerie Etienne (Galliano), Desert Eagle Discs, Gerard Presencer, Maggie Reilly, Urban Soul Orchestra, Shaun Escoffery, Kylie Minogue, Ken Ramm, Brand New Heavies, Russell Watson, Simply Red, Sting, Summer, Joan Armatrading, Morecheeba, Mansun, Daniel Beddingfield, Lesley Garret, Kate Simmons, Neil Stacey, Bon Garcon, Dominic Miller, Nigel Kennedy, Amici, and McFly.

In between sessions, Miles writes with Peoplespeak and other projects, these currently include: Audiovirus T.V/Film Music, MamaYo albums, production team: Dime a Dozen and recording his solo album “Life”.